Preferring to work off the beaten track, Reynolds uses locally significant locations to make her light drawings. This technique
uses moving light sources during a long exposure and was developed in the late nineteenth century for both scientific and artistic purposes Man Ray was one of the first artists to explore this practice in his 1935 series .
Whilst this technique has been much used by artists over the years, Reynolds has developed a unique approach and her background in music and sound art makes her physical response to the chosen location both compelling and powerful.
Reynolds has exhibited worldwide from the Hayward Gallery in London for the first international exhibition of Sound Art, to the
Sydney Festival with in which five artists present over thirty site-specific sound and light installations in
a Botanic Garden. has won critical acclaim at major arts festivals around the world. Reynolds is
currently working on a new large-scale Power Plant event for the Auckland Arts Festival 2017.
Artist Richard Wilson says of Reynolds’ work ‘This is not ephemeral art, this is light, action and location all suspended in time as a gestural moment of magic.'
Power Plant, Auckland Arts Festival, New Zealand, 2017
The Spirit of Time: In the Footsteps of Schwitters, Molde Contemporary, Norway, 2016
On the Rocks, Photospace Gallery, Wellington, New Zealand, 2014
Multiplied,Christies, London, 2013
Power Plant, Hong Kong Arts Festival, China, 2011
Power Plant, Darling Harbour, Sydney Festival, Sydney, Australia, 2011
Power Plant, Royal Tasmanian Botanical Gardens, Hobart, Tasmania,2011
Mya Lurgo, (Rankle & Reynolds), Lugano, Switzerland, 2011
On the Edge of Wrong (Rankle& Reynolds), Fondazione Stelline, Milan, Italy, 2010
Power Plant, Royal Botanic Garden, Edinburgh International Festival, 2009
Sonic Boom: The Art Of Sound, Hayward Gallery, London, England, 2000
Print prices start at £300 For editions 1/1
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For press images or interviews please contact Lucy Bell.
01424 434 828